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CAREERS IN THE ARTS｜Chris Regner Solo Exhibition Introduction

WOAW Gallery is pleased to present Careers in the Arts, Chris Regner's first solo exhibition in Asia. The exhibition features a series of self-deprecating paintings that delve into the personal and universal human experience, through a lens of Regner’s self-identity as an artist and his encounters with struggles and solitude in the contemporary art world. Showcasing 9 artworks he created this year, Careers in the Arts will be on view from February 21 to March 20, 2024, at the gallery's Central location.

It’s been argued, or perhaps agreed, that every painting, every artwork even, is a selfportrait of the person who made it. Once that is acknowledged, there is a small step to approaching a more pronounced, traditional self-portrait format. And for his Asian solo debut with WOAW gallery in Hong Kong, Chris Regner made that step and focused solely on creating a self-deprecating body of work. Somewhat continuing onto his 2021 solo that dealt with the struggles with masculinity in the context of lacking a good role model, he is now talking about himself as an artist. Lonesomly making work in this day and age, motivated and crippled by contemporary reality and both the personal and universal human conditions, he examines the challenges and sacrifices imposed by choosing Careers in the Arts.

Chris Regner, Soul Transfer, 2024. Acrylic on canvas. 65 x 56 in. 165 x 142 cm.

Image Courtesy of Chris Regner and WOAW Gallery

“Embracing my own failures and putting them on display is imperative to the paintings. Instead of making caricatures for quick judgment, I prefer to incite complicated reads in the viewer. The work runs the gamut from strongly autobiographical to hypothetical concerns that run through my mind,” the artist stated in his 2021 interview with Juxtapoz magazine, and those words ring even more potent in these new paintings. The preceding mash of visuals borrowed from Google images, mythologies, popular culture, imagination, and autobiographical elements has now been replaced with a more compact way of portraying the scene built from scratch with the help of VR software. Software which ironically helped remove screen-like flatness by adding a sense of volume and depth to his imagery. Regner’s visual language is now stark and bold, with its rigid, plastic veneer creating a more obvious distance between the internal emotions and how they’re revealed (or not) to the world. This polished, plastic, balloon-like aesthetics also conveys the pressure of existence or ego inflation (Balancing Act, 2024) while simultaneously commenting on the superficial way of presenting ourselves, primarily through social media.

Using exaggeration, caricature, vibrant shades of bright colors, and perfectly rounded, smoothened, and lit VR shapes, the hyper-stylized images merely hint at deeply personal concerns. Evoking Dana Schutz or Peter Saul’s frenzied ambiances, Regner employs humor, goofiness, or absurd to counterbalance the heavier subjects filled with melancholy, empathy, and anxiety. In this light, the Balancing Act, 2024, depicts the fragile and elusive equilibrium of career requirements, marriage, vices, and self-hatred held by a skinny, tired, and scarred (artist’s) hand. The interest in this ongoing clash between expressing oneself, running a professional career, and navigating the demands of society or family is arguably most evident in Future Planning, 2024. Offering an air of solemnity through an approachable and fun picture, the image shows an artist caught in a calm, meditative posture, getting his seemingly Zen-like state interrupted by real-life concerns. The same tension between personal and professional may also be observed in Soul Transfer, 2023, where the anxious artist literally “pours their heart and soul” into the work. With his face (reminiscent of Ashley Bickerton’s colorful portraits) reflecting on the Paul McCarthy-like sculpture while being observed and judged by the Grim Reaper, Regner is underlining the weight and intensity of his choices. Ironically, this more personal and revealing approach is executed through airbrush, a distant, highly impersonal tool that leaves no actual mark of the artist’s hand on the surface. And that, itself, could be a perfect metaphor for careers in the arts - baring oneself emotionally and mentally for everyone to see and judge through a significantly removed, one-way communication.

Exhibition Details

• CAREERS IN THE ARTS｜Chris Regner Solo Exhibition
• Date: 21 Feb - 20 Mar 2024
• Venue: WOAW Gallery
• Address: G07, The Galleria, 9 Queen’s Road Central, Hong Kong

Source of the above information: PR