Exhibition Introduction

Tang Contemporary Art is honored to present "Smile at the Flower Sermon", a solo exhibition featuring works by the contemporary Chinese artist, Yue Minjun, at Hong Kong gallery space on March 24, 2022. The exhibition presents Yue injun's iconic Laughter series and featured the new Flower series since the pandemic. This exhibition represents a remarkable return of Yue Minjun after a 10-year hiatus and is also his first collaboration with Tang Contemporary Art.

Yue Minjun is one of the most renowned contemporary Chinese artists. He came into prominence in Chinese contemporary art with a series of paintings, which features an exaggerated and iconic smiley face presenting a "self-image." This series made him a legend of his generation and earned him international acclaim. Hopes rose and fell after the winds of freedom began to blow in a specific historical time in China, and Yue Minjun's works have reflected the experiences of people living amidst the unprecedented changes in Chinese society since the 1990s. Small glimpses into grand historical events appear vividly on the canvases as cheeky grins or allegorical laughter. Yue's ability to handle difficulties with grace is readily apparent. The intense visual impact of his smiling figures distinctly conveys Yue's questioning attitude. Change is the only constant, and this series began with paintings of symbols from Chinese socialist propaganda paintings and pieces that satirically appropriated classic works of art, then shifted toward the unchecked aesthetic imagery before transitioning to the dreamy scenes shown in this exhibition. Behind the smiles and laughter, all of these paintings reflect Yue's close observations of his own experiences.

Yue Miniun has said. "Instead of Western Surrealism, these daydreams come from the Eastern concept of sitting in meditation. The illusory world perceived in the process of meditation develops without explanation." These kinds of daydreams are presented in Stranded, Stay Away, Light Blue, and other new paintings from this Laughter series. Artists added the capture of the mysterious halation, the perceptual imagination wandering in the pictures, in which, an introverted self-examination seems like a valid way to escape reality. The advent of the pandemic changed the pace of life around the world and influenced the ways people think. Distortion, isolation, division, and cultural conflict fractured the existing systems of meaning. Escape seems to be an instinctive human reaction; the distressing emotion in predicaments and the wordless struggles in the paintings point to Yue's worries about the future of humanity.

In 2020, Yue Minjun lived for several months in Chuncheng in the southwestern province of Yunnan. Perhaps the flowers that abound in this city burst through the seams of the pandemic gloom, in which he found the in spiration to create. As a result, he made a significant breakthrough and created his Flowers series. Flowers are symbols of beauty that could be likened to a plant's smiling face. Here, exquisite flowers replace the smiling faces of the past and seductively bloom in front of figures' faces, but this beauty is merely decorative in Yue's mind. Due to the dissatisfaction with the ubiquity of superficial opinions and an awareness of hidden truths, viewers cannot resist the urge to catch a glimpse of the mysterious expressions and emotions of the people behind the flowers. If his smiling self-portraits were active choices, then his Flowers paintings are passive obstructions. The context and pictorial significance of the figures whose facial features are concealed by flowers are supplemented by their clothing, forms, and gestures. As a result, the status, gender, and personality of the figures in the painting give way to the needs of society as a whole What are the flowers concealing? What have we lost? We cannot find clear answers in the signifier of the flowers.

In Hibiscus Moscheutos, the three women wearing swirnsuits and carrying fashionable short haircuts are representing classic images of women between the 1980s and 1990s in Chinese almanack. Lilium depicts a transaction scene of three characters from the fragment of a classical painting. The paintings in his Flowers series all come onto the stage with a breath of fresh air. Yue's bold use of colours and his intuition for the textures of past and present sensations and subjects reflect his ability to flourish between popular culture and modern trends. After many years of introspection, Yue Minjun's aesthetic ideals and deep concern for our present days have been internalised in Flowers. Therefore, the series has become a spiritual code of our times because of his keen sensitivity and his bravery to break through from the traps of youth and self-transformation.

In Five Lamps Merged in the Source (Wudeng Huiyuan), the monk Pu Ji recorded the story of the Smile at the Flower Sermon, in which Sakyamuni held up a flower and Mahakasyapa smiled. Countless people have sought to find meaning in this scene: Why did Mahakasyapa smile? How did Mahakasyapa attain enlightenment? In this place of sweeping enlightenment, Yue Minjun has also come to realize that the rich symbolism and metaphor inherent in painted smiles and flowers will always be relevant. Perhaps, in the turmoil of the world today, it can show us the way to deliver the universe through all difficulties.

Exhibition Details

• Smile at the Flower Sermon｜Yue Minjun Solo Exhibition
• Date: March 24-April 30, 2022
• Time: 11:00-19:00 (Tuesday-Saturday)
• Venue: Tang Contemporary Art
• Address: 10 th Floor, 80 Queen’s Road Central, Central, Hong Kong

• VIP Private Viewing: Friday 18 Mar–Wednesday 23 Mar (Invitation Appointment only)
• Media Preview: Friday18 Mar–Wednesday 23 Mar (By Appointment)
• Opening: Thursday 24 Mar 18:00-20:00（By Appointment）
• Curator: Fiona Lu

About Artist

Yue Minjun (b. 1962, Daqing, Heilongjiang Province, China) is now one of the leading figures of Chinese contemporary art, an internationally renowned artist currently lives and works in Beijing, China. Yue Minjun had been creating this exaggerated "Self-image" since the beginning of the 1990s. In recent years, this image has been used in the field of sculpture and printmaking. "it" sometimes appears independently or collectively, closes its eyes, and laughs grinningly; with dramatic gestures and confidence.

He became the cover story of Time magazine in 2007, and was nominated in the "Person of the Year 2007 - People Who Mattered" on the list of the five award winners, there was Putin, Barack Obama, and Hilary Clinton, etc. Yue Minjun was the only Chinese andthe only artist who had been nominated, Time described Yue Minjun as: "If you think China has a close relationship with the current and future status of the world, then this is the man to paint China". On the other hand, Yue Minjun's artworks have been collected by domestic and foreign art institutions, galleries, and museums. For example, the San Francisco Museum of Modern Art, Denver Art Museum, The Culture Centre of Francois Mitterrand, Busan Museum of Art, Guangdong Museum of Art, Shenzhen Art Museum, and other important institutions have all brought Yue's works into their permanent collections.

After participating in the 48th Venice Biennale in 1999, Yue has been invited as one of the regular contemporary Chinese artists in every Venice Biennale, which demonstrates his profound artistic contribution, and his distinctive artistic characteristics have established the non-negligible importance in contemporary Chinese art and the world stage.

About TANG CONTEMPORARY ART

Tang Contemporary Art was established in 1997 in Bangkok, later establishing galleries in Beijing and Hong Kong. The gallery is fully committed to producing critical projects and exhibitions to promote Chinese contemporary art regionally and worldwide, and encourage a dynamic exchange between Chinese artists and those abroad. Acting as one of the most progressive and critically driven exhibition spaces in China, the gallery strives to initiate dialogue between artists, curators, collectors, and institutions working both locally and internationally. A roster of groundbreaking exhibitions has earned them international recognition, establishing their status as a pioneer of the contemporary art scene in Asia.

Tang Contemporary Art represents leading figures in Chinese art including Ai Weiwei, Huang Yongping, Shen Yuan, Wang Du, Liu Xiaodong, Yang liechang, Xia Xiaowan, Sun Yuan & Peng Yu, Yan Lei, Wang Yin, Wang Yuping, Yangjiang Group, Guo Wei, Zheng Guogu, Lin Yilin, He An, Zhao Zhao, Wang Yuyane, Weng Fen, Yang Yong, Xu Qu, Xu Xiaoguo, Ji Zhou, Cai Lei, Ling Jian, Liu Yujia, Zhu Jinshi, Qin Qi, Chen Yujun, Chen Yufan, and Chen Wenbo, additionally collaborating with international artists such as H.H Lim, Rirkrit Tiravanija, Sakarin Krue-On, Michelangelo Pistoletto, Adel Abdessemed, Dinh Q.Le, Michael Zelehoski, Jennifer Wen Ma, Rodel Tapaya, Nate Utarit, and Heri Dono.

Information Source: PR