William. Turner Exhibition: Echoes of the Sublime
- 2025 coincides with William. Turner's 250th Birthday
- The largest in global history William. Turner's original paintings exhibition debuts in Taiwan
- Following Monaco and Shanghai, the third global stop will be held at the Chiang Kai-shek Memorial Hall in Taipei from June 27 to October 12 this year.
- William. Turner's authentic paintings fully reflect his brilliant creative process throughout his life
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Exhibition Information
Exhibition Name: Turner Exhibition: The Sublime Echo Exhibition Period: 2025/6/27 (Fri) - 2025/10/12 (Sun) Opening Hours: Monday to Sunday 10:00-18:00 (Ticket sales and admission stop at 17:00) Exhibition Venue: Chiang Kai-shek Memorial Hall, Exhibition Rooms 1 & 2 (No. 21, Zhongshan South Road, Zhongzheng District, Taipei City) Organizer: United Daily News FunLife Co-organizer: National Chiang Kai-shek Memorial Hall Administration Media Co-organizer: Artouch Official Website: https://uevent.udnfunlife.com/TurnerTaipei2025 Official Facebook Page: https://www.facebook.com/turnertaipei2025 Video Introduction: https://www.youtube.com/watch?v=7NDTVtA_IUs https://www.youtube.com/watch?v=F5Ev-MCJqoc
Exhibition Introduction
Joseph Mallord William Turner (1775-1851), Britain's greatest painter, is known as the "Painter of Light." He was renowned for his exceptional control of color and light, vividly capturing the dynamics and power of nature, and redefining the concept of "landscape painting."
The year 2025 marks the 250th anniversary of William Turner's birth. The Tate Britain is launching a series of commemorative events called "Turner 250." The highlight of these events is the largest-ever global touring exhibition of William Turner's works: "Turner Exhibition: The Sublime Echo." Following Monaco and Shanghai, the third stop on the global tour will be in Taiwan this June. The exhibition features 80 original paintings by William Turner, including sketches, oil paintings, and watercolors, fully showcasing his brilliant creative journey and making it the most significant art event in Taiwan this year!
⊳ Tate Britain
From Private Collection to National Museum: An Art Institution Breaking Traditional Museum Thinking
The Tate Britain was founded in 1897 by Sir Henry Tate, a Liverpool sugar merchant. It initially developed as a national gallery and now has four museums in the UK, including the oldest Tate Britain, Tate Liverpool, a center for Northern art in the UK, Tate St Ives, deeply rooted in local cultural development, and the most popular Tate Modern. As the UK's most representative and highly visited museum, the Tate's collection covers 500 years of British and Western art masterpieces, most notably William Turner's hundreds of oil paintings and tens of thousands of watercolors and sketches, which he donated at the end of his life, making them a must-see for visitors. In recent years, the Tate has broken new ground with thematic exhibitions that transcend chronological boundaries, making it one of the most forward-thinking museums in the world.
The Largest-Ever Global Exhibition of William Turner's Original Paintings Debuts in Taiwan
William Turner established a fund during his lifetime to help impoverished artists, which became the most important reason for the Tate to establish the UK's most prestigious art award, the "Turner Prize." After his death, some of his paintings were bequeathed to the nation, and most of his works are preserved at the Tate. The Tate, which has the largest collection of Turner's works, will bring 80 original paintings by Turner, divided into 7 major sections: British Landscapes, The Alps, Venice, Sea Storms, Between Sea and Sky, Historical Stories, and Sublime Aesthetics, spanning his entire creative career. To highlight the epoch-making nature of Turner's works, the Tate has also selected nearly 30 works by contemporary artists to be included in the exhibition, creating an unprecedented, largest, and most comprehensive William Turner exhibition.
Exhibition Highlights
⊳ Beginning with British Landscapes
Turner became a passionate observer of the sublime power of nature through his early explorations of the British landscape. His detailed depictions of these natural scenes brought him widespread fame. To truly capture the atmosphere of the environment, Turner often immersed himself in nature to conduct research, incorporating on-site sketches, memories, and imagination, and transforming these elements into stunning paintings.

Landscape Composition with a Ruined Castle on a Cliff by Joseph Mallord William Turner, 1792–3. (Image source: TATE)
⊳ Entering the Mountains During his first trip to Europe in 1802, Turner was immediately drawn to the magnificent scenery of the Alps. He began exploring the mountains, directly recording his experiences using sketches and watercolors. Turner was also fascinated by the unique light and atmosphere of the mountains. He observed the color reflections of snow, water, and sky, completing thousands of basic element studies, using unexpectedly bold colors to create striking effects. His mastery of light and color inspired Monet and the French Impressionists, and his innovative techniques influenced generations of artists.

Brunnen, from the Lake of Lucerne: Sample Study by Joseph Mallord William Turner, 1843-5. (Image source: TATE)
⊳ Historical Stories In the eighteenth century, when Turner lived, paintings that vividly presented mythological or biblical stories were considered the most noble form of elegant art, with a style mostly leaning towards picturesque classicism. However, Turner created a unique new landscape. He adopted classical scenes and used innovative painting techniques to present paintings that were not too idealized, were more emotionally infectious, and conformed to emerging tastes, which were not only appreciated by his contemporaries but also amazed viewers for centuries to come.

Story of Apollo and Daphne by Joseph Mallord William Turner, 1837. (Image source: TATE)
⊳ Venice: A Magnificent City Among the many artists who created works with Venice as the theme, Turner is one of the few who can find emotional resonance with the unique atmosphere of this magnificent water city. His artistic career is remarkable for its achievements and innovations, and his paintings of Venice were immediately recognized as some of his most magical and dazzling works after the first audiences visited. To this day, Turner’s perspective remains significant, expressing the beauty and sorrow of Venice, as well as the terrifying threat of being swallowed by the sea.

Venice - Maria della Salute by Joseph Mallord William Turner, 1844. (Image source: TATE)
⊳ Sea Storms Seascapes account for more than half of Turner’s works, including paintings of whaling ships, fishing boats, shipwrecks, and wars. These are some of his most explosive and memorable works. In his paintings, he captured the dangers of the ocean, as well as the smallness and powerlessness of humans in the face of nature.

‘Hurrah! for the Whaler Erebus! Another Fish!’ by Joseph Mallord William Turner, 1846. (Image source: TATE)
⊳ Between Sea and Sky Turner not only embodies the great power of nature in his paintings, but also emphasizes its poetic and hypnotic qualities. In his depictions of the ocean and sky, he conducted hundreds of close-up studies of details such as ethereal clouds, energetic waves, and turbulent waves. Observing these details together reveals Turner’s deepest awe of the ocean and sky.

The Blue Rigi, Sunrise by Joseph Mallord William Turner, 1842. (Image source: TATE)
⊳ The Sublime Aesthetics of Nature In his later years, Turner created many paintings that purely depict the elements of light and atmosphere. These abstract works contain very few figurative or topographical elements and were even considered “unfinished” at the time. However, judging from the number of such works preserved in Turner’s studio, he had completed these pieces to his satisfaction. These works, which embody Turner’s late style, have earned him the reputation of being a prophet of modern painting.

Three Seascapes by Joseph Mallord William Turner, 1827. (Image source: TATE)
The World's Largest and Most Complete Global Tour of Turner's Works, A First for Taiwan
Curator Elizabeth Brooke mentioned that the Tate has never lent out such a large number of Turner's works at once, including more than 40 oil paintings. This will be an unprecedented, largest-scale global tour. The exhibition will also demonstrate William Turner's decisive influence on painting and the sublime expression in Western art through dialogue with the works of nearly 30 top artists such as John Akomfrah, Edward Burtynsky, Olafur Eliasson, Richard Long, Cornelia Parker, Katie Paterson, Mark Rothko, and Jessica Warboys. She also said: "2025 marks the 250th anniversary of Turner's birth, making this summer's exhibition in Taiwan even more meaningful. One of the most anticipated exhibits, 'The Blue Rigi, Sunrise,' will be returned to the Tate and sealed for 10 years after the tour. We sincerely invite everyone to seize this rare opportunity to witness the artistic charm of William Turner."
“Turner Exhibition: The Sublime Echo” Participating Artists —————————————————————————————————————— Joseph Mallord William Turner
(The following are in alphabetical order by last name) John Akomfrah Edward Burtynsky Peter Doig Olafur Eliasson Howard Hodgkin Roni Horn Peter Lanyon Richard Long Lisa Milroy Cornelia Parker Katie Paterson Mark Rothko Wolfgang Tillmans Jessica Warboys
Ticketing Information
[Online Ticketing]
2025.5.7~6.26
- Advance Single Ticket: NT$400
- Couple’s Commemorative Ticket Set: NT$900 (Includes 2 frame-designed commemorative tickets and 1 Couple’s Admission E-ticket)
The Couple’s Commemorative Ticket Set requires two people to enter at the same time and cannot be used separately; please present the QR code at the entrance to redeem the commemorative tickets upon admission. This ticket set is for commemorative purposes and cannot be used for admission.

- Exhibition Catalogue Ticket Set: NT$1,650 (Includes 1 Single Admission E-ticket and 1 Exhibition Catalogue)
- Guided Handbook Ticket Set: NT$650 (Includes 1 Single Admission E-ticket and 1 Guided Handbook)
- Audio Guide Ticket Set: NT$530 (Includes 1 Single Admission E-ticket and 1 Personal Audio Guide Device)
Personal Audio Guide
- On-site Rental of 1 Personal Audio Guide Device: NT$160
- Enjoy a 50% discount (NT$80) on the rental of a second personal audio guide device with a pre-sale ticket for this exhibition (excluding audio guide ticket sets)
- Persons with disabilities can rent one personal audio guide device free of charge by presenting their Disability Handbook (original)
2025.6.27~10.12
- Exhibition Period Single Ticket: NT$500
- Exhibition Period Couple's Ticket: NT$920
- Exhibition Period Trio Ticket: NT$1,370
[On-site Ticketing]
2025.6.27~10.12
- Full Ticket: NT$500: Applicable to general visitors
- Concession Ticket: NT$470: Valid for holders of valid student ID cards from domestic universities and colleges (excluding graduate students, community colleges, open universities, and on-the-job training programs), with the registration stamp for the current semester as proof; children aged 3 (inclusive) or above (children under 12 years old cannot enter alone and must be accompanied by an adult with a ticket)
- Discount Ticket: NT$250: Applicable to citizens of the Republic of China aged 65 (inclusive) or above (verification required, limited to one ticket per ID); persons with disabilities and one necessary companion, limited to one ticket per ID (must present the original Disability Handbook and enter at the same time)
- Free Admission: Children under the age of 3 (must present relevant documents and be accompanied by an adult with a ticket; if no documents are presented, eligibility will be determined by whether the child is 90 cm tall) Reminder: Children who are 90 cm (inclusive) or taller without documents must purchase a “Concession Ticket”
Good to know
Ticket Information
- Single tickets are valid for one person's use only and are required for entry. They cannot be reused. Pair tickets require two people to enter together, and triple tickets require three people to enter together; they cannot be used separately. The Dual Souvenir Package requires two people to enter at the same time and cannot be used separately; please redeem your souvenir package with the QR code at the entrance. This package is for commemorative purposes only and cannot be used for admission.
- For Guidebook Packages and Catalogue Packages, please redeem the items and enter the exhibition during the exhibition period (2025/6/27-2025/10/12) after verification at the exhibition venue. (No mailing service provided)
- This ticket is a valuable document. Please keep it safe. It will be considered invalid if lost, damaged, punched, altered, stained, photocopied, or torn in a way that makes it unidentifiable. No refunds, exchanges, or replacements will be issued.
- This ticket is valid for the duration of the exhibition (until 2025/10/12). It will be considered void after the expiration date. Refund and exchange requests must be made through the original point of purchase before 2025/10/12. Late requests will not be accepted. Please refer to the refund policies of each point of purchase for refund and exchange procedures.
- The exhibition venue only accepts ticket refunds for tickets sold at the on-site ticket booth, and a complete, unused ticket, invoice, and credit card receipt must be presented.
- Children under the age of 3 are admitted free of charge and must be accompanied by a ticket-holding adult. (Relevant identification must be presented. If no identification is presented, height will be used, with 90 cm as the cutoff. Age is calculated based on the actual age on the day of the visit.)
- Those with free admission eligibility should proactively present their identification to the staff for verification before entering. If they do not meet the eligibility requirements, they must purchase a ticket according to their status. Those who qualify for discounted tickets (concession tickets, disability tickets) will not be eligible for partial refunds or ticket price adjustments after entering with the ticket.
- To ensure clear identification by service personnel, necessary companions of people with disabilities should enter the venue with the disabled person.
- For all package purchases, please note that all items in the package must be complete and unused in order to be eligible for a full refund. Please refer to the refund policy instructions of each ticketing platform for processing.
- For any unaddressed matters above, please refer to the official website and Facebook announcements. The organizer reserves the right to interpret the event.
Admission Information
- Children under the age of 12 must be accompanied by a ticket-holding adult to enter.
- The organizer does not proactively offer luggage storage services. Strollers and large luggage must be placed outside the exhibition hall as directed by the staff. The organizer is not responsible for personal property loss. Please take good care of your personal belongings and valuables.
- There are no restrooms or trash cans inside the exhibition hall. Please use the restrooms inside the Chiang Kai-shek Memorial Hall before entering.
- Please abide by the visitor routes, exhibition rules, and on-site staff instructions. If there are large crowds, please queue in order.
- Only mobile phone photography is permitted in this exhibition. Photography and videography are prohibited in certain areas. The use of professional photography equipment, flash, tripods, selfie sticks, and stabilizers is prohibited throughout the exhibition area. Without prior permission, commercial photography or interviews are not allowed. Please abide by the regulations of each exhibition area and respect the intellectual property rights and copyrights of the exhibition.
- Sketching in the exhibition hall is limited to pencils only. The use of charcoal, pastels, permanent markers, watercolors, or oil paints is prohibited in the exhibition hall.
- No playing, running, eating, or drinking is allowed in the exhibition hall. Please do not bring food or beverages into the venue. Smoking, chewing gum, and betel nuts are prohibited. Hawking or reselling tickets on-site is prohibited. Those who engage in inappropriate behavior and fail to heed warnings will be required to leave the venue immediately without objection, and no compensation or refund of ticket fees will be provided.
- Pets (except guide dogs), long-handled umbrellas (short-handled umbrellas should be stored in personal bags), and various dangerous and illegal items are prohibited from entering the venue. Touching or hitting the exhibits and display cases is prohibited. Any damage will be subject to compensation at the original price.
- There are designated staff members in the exhibition hall to maintain order. If you discover any suspicious individuals or unidentified objects, find lost items, or feel unwell, please immediately notify the nearby staff for assistance.
- If you need to re-enter after leaving, you can get a re-entry stamp at the exit of the exhibition hall and re-enter the exhibition by queuing up at the entrance again. However, re-entry is only allowed on the same day during the exhibition's business hours. No separate ticket is required to purchase merchandise in the souvenir area. Please proceed to the souvenir area from the exit.
- In order to maintain the quality of the exhibition and safety, crowd control will be implemented when the number of visitors in the exhibition hall reaches the upper limit, and the ticket booth will temporarily suspend ticket sales. Please cooperate with the staff's instructions and wait in line at the entrance (last entry time is 17:00).
- The exhibition's business hours and regulations are subject to change. Please refer to the on-site announcements or the official fan page for updates. The organizer reserves the right to interpret the event for any unaddressed matters above.
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Un choix de conservation que j'ai particulièrement apprécié a été l'association des aquarelles délicates et esquissées de Venise par Turner avec la Venise aux couleurs vives de Howard Hodgkin. Le contraste entre les traits doux et atmosphériques de Turner et la palette vibrante et émotionnelle de Hodgkin a créé un dialogue saisissant, montrant comment la ville a inspiré les artistes à travers les siècles de manière si différente. Cela a donné à l'exposition un sentiment d'être à la fois enracinée dans l'histoire et vivante d'une résonance moderne. Le guide audio nécessite un achat séparé plutôt que d'être accessible gratuitement via un code QR, ce qui semble un peu gênant et hors de prix. L'espace d'exposition est divisé en deux salles — une très petite, l'autre assez grande — et je vous recommande de commencer par la plus grande. De plus, assurez-vous de réserver un après-midi entier pour en profiter pleinement, car trois vidéos à elles seules prendront au moins deux heures. Un petit plaisir : si vous partagez une publication sur les réseaux sociaux, vous recevrez un autocollant gratuit.
Pas besoin de partir à l'étranger pour admirer les œuvres originales de peintres exposés dans des musées étrangers, il y en a environ 80, ça vaut vraiment le coup. Les œuvres exposées témoignent du travail minutieux de William Turner, qui, grâce à un entraînement constant, a su affiner la présentation de la lumière et de l'ombre dans chaque œuvre, poursuivant toute sa vie un idéal élevé, se surpassant et se distinguant des autres. Même s'il faut venir spécialement du sud pour visiter l'exposition, cela vaut vraiment la peine, et je recommande également à tous de visiter le Mémorial de Chiang Kai-shek, c'est vraiment enrichissant et génial. Il y a un tableau britannique de qualité muséale, qui rassemble l'essence de l'œuvre de Turner, spécialement exposé à Taïwan cette fois-ci. Si vous manquez cette occasion, il faudra attendre 10 ans pour le revoir.
L'exposition de William Turner est vraiment à voir 👍, et je recommande de faire la visite guidée en même temps. Il y a une option dans la salle d'exposition (acheter un service de visite guidée en ligne avec votre propre téléphone et vos écouteurs). J'aime les couleurs douces et confortables de Turner et ses coups de pinceau délicats. Chaque tableau est comme une histoire complète, pleine de nuances. Que ce soient les personnages, les scènes, la lumière ou même le mouvement du temps, tout est immersif. Le nombre d'œuvres exposées est assez impressionnant, à tel point que dans la dernière salle, "j'étais vraiment fatigué !". Turner passait souvent des journées entières à observer la même scène, juste pour capturer les variations de la lumière. J'aime aussi me vider la tête et regarder le paysage toute la journée ! Il y a d'autres œuvres d'artistes qui sont là pour tester si Turner est votre véritable amour, ou comment différents artistes de la même époque interprètent le même endroit, le paysage qu'il regarde ! C'est assez intéressant, on a envie de deviner ce que le commissaire d'exposition avait en tête. À l'époque, les portraits étaient plus populaires, et les sujets étaient souvent tirés de la mythologie. Mais ce type d'œuvres de Turner me donne l'impression qu'il se dit : "Bon, je vais vous en peindre un", et les personnages et les rôles sont plutôt comme de petits accessoires dans ses paysages. Il est surtout concentré sur le monde des paysages dans son cœur, c'est vraiment un artiste avec beaucoup de personnalité. L'exposition couvre la trajectoire créative de Turner, de sa jeunesse à sa vieillesse. Les œuvres ultérieures sont pour la plupart basées sur des croquis et des manuscrits réalisés lors de ses premiers voyages. Bien que les détails ne soient pas aussi nombreux que dans ses premières œuvres, le style général est plus libre et débridé. De l'utilisation des couleurs à la narration, on peut voir les changements dans son état d'esprit, mais même ainsi, on peut toujours reconnaître au premier coup d'œil : c'est Turner. Finalement, je n'ai pas pu m'empêcher d'acheter des cartes postales et de valider ma présence pour obtenir un petit cadeau. Merci au professeur de m'avoir accompagné à l'exposition, j'ai beaucoup appris ! (Partage d'impressions personnelles non professionnelles ci-dessus 😄)
Visite du 04/09/2025. L'équipe de conservation a fait un travail formidable. Les vidéos, les œuvres et les textes présentés méritent d'être savourés. Il est légèrement regrettable de constater le manque d'indications directionnelles claires et d'une signalétique d'entrée plus visible. De plus, en raison de la configuration des lieux, l'exposition est divisée en deux espaces, et les œuvres d'art environnemental les plus grandes ne s'intègrent pas parfaitement au style du lieu. Cependant, dans l'ensemble, il s'agit d'une exposition exceptionnelle. Les œuvres authentiques de Turner sont à la fois audacieuses et délicates, et l'atmosphère brumeuse et envoûtante est fascinante. Un véritable festin visuel.
Superbe exposition ! J'ai adoré la manière dont William Turner capture les jeux de lumière et les paysages européens ! Visiter en semaine le matin est une expérience agréable, surtout avec un audioguide. J'ai passé près de quatre heures à admirer les œuvres à mon propre rythme. Les vidéos diffusées pendant l'exposition sont très riches en contenu et valent la peine d'être regardées attentivement pour savourer chaque détail ! C'est l'exposition la plus enrichissante que j'ai vue cette année, je la recommande vivement ❤️
Exposition absolument fantastique, divisée en deux grandes zones. Nous vous recommandons de la visiter en semaine pour éviter la foule. Acheter des billets électroniques sur KLOOK est très pratique et offre des prix avantageux. Si vous prévoyez d'y aller, nous vous conseillons d'acheter vos billets à l'avance, non seulement pour bénéficier de tarifs préférentiels, mais aussi pour gagner du temps en évitant les files d'attente à la billetterie.
Une exposition qui vaut vraiment le détour, mais il est conseillé d'éviter les jours fériés, car la foule peut nuire à la qualité de la visite. Prévoyez également 3,5 à 5 heures pour la visite, car en plus des 80 œuvres, l'exposition propose trois vidéos d'une durée respective de 38 minutes, 48 minutes et 6 minutes. Il faut prévoir un certain temps pour tout regarder tranquillement.
J'ai été un peu déçu personnellement, car certaines des œuvres que je voulais voir n'étaient pas exposées. Cependant, dans l'ensemble, j'ai beaucoup appris. Il y a aussi une vidéo de trente minutes sur Turner que j'ai trouvée très intéressante, décrivant l'environnement et l'état d'esprit des peintres britanniques de l'époque. Ce qui m'a le plus dérouté, c'est l'itinéraire. L'exposition est divisée en deux zones, et il faut marcher un peu pour se rendre à la zone suivante... Euh. De plus, les produits dérivés de cette exposition ne m'ont pas emballé. J'ai fait deux fois le tour, mais je n'ai rien acheté. C'est dommage.
Une exposition exceptionnelle qui présente l'œuvre de William Turner dans son intégralité. La conservation comprend également son influence sur la postérité et est présentée sous forme de groupes de comparaison, permettant aux spectateurs de reconnaître rapidement sa grandeur.
Acheter des billets "early bird" est très pratique car ils peuvent être utilisés pendant toute la période de validité, et vous n'avez pas besoin de faire la queue sur place, vous pouvez entrer immédiatement. Cette exposition est très populaire, même si vous y allez dès l'ouverture le matin, vous devez faire la queue. Les billets en prévente à prix réduit sont vraiment pratiques et abordables !
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