"Yan'an Nursery" large-scale red historical stage play

“Yan’an Nursery” “Cradle on Horseback” - A “Children’s Long March” with no casualties after traveling 3,000 miles amidst artillery fire, unprecedented in history. “A Cry of ‘Papa’” - A belated “Papa” becomes a lifelong regret for father and daughter. “Learning and Playing” - Entrusted with Chairman’s earnest expectations, an educational philosophy that transcends the times. “Drop the Handkerchief” - A light and cheerful children’s song that healed a generation’s childhood. “She’s Still Just a Child” - Fearlessly rushing into danger, protecting the hope of the revolution with a frail body. The play truthfully reflects the Party history materials of the older generation of revolutionaries’ 13 years of arduous struggle in Yan’an, a great ode to the Yan’an Spirit. More than 70 years ago, on this legendary land of Yan’an, our ancestors protected the small family of the “Yan’an Nursery” amidst the flames of war, continuing the spark of the revolution. More than 70 years later, the children who were safely transferred from the nursery to Xibaipo have become elderly people in their fifties as time passes. The smiles of the children on the stage and the photos of the old people who personally experienced that period of time create a meaningful picture. The red Yan’an spirit, for which generations of Chinese people have struggled, will be passed down from generation to generation with the happy laughter of the children. “Yan’an Nursery” constructs an immersive sensory impact through the following four-dimensional stage effects, triggering deep resonance of the audience’s multiple perceptions.

Visual Rupture The vertical confrontation between the dynamic projection of war ruins (gunsmoke, ballistic trajectories) and the suspended Yan’an Nursery starry sky dome (galaxy particle effects) forms a retinal game between “historical scars” and “light of hope.”

Auditory Montage Original sampling of northern Shaanxi folk songs (such as sheep bells, spinning wheel creaks) layered with electronic synthesized sound effects.

Tactile Immersion Field An array of wind effect systems is set up in the auditorium. Sensory memory anchor point: In the collective spinning segment, the audience in the front row can touch the real ramie fiber flowing on the armrests of the seats.

Emotional Tremor Dimension Symbolic Violence Translation: An array of military enamel jars reflects the faces of the audience, forming an identity substitution of “historical participants.” Physical Empathy Chain: When the actors use Wia to present the “baby floating across the river,” the stage machinery tilts 15°, forcing the audience to produce a physiological sense of imbalance, synchronizing the character’s fate anxiety.

This neo-realist stage grammar, through the precise manipulation of the multi-modal perception system, makes the audience no longer bystanders, but re-experiences the life epic of the military and civilians of the nursery overcoming difficulties together at the neural level - 85% of the audience survey shows that they still retain 2-3 hours of sensory memory retention after leaving the venue (such as the tactile sensation of hemp fiber remaining on their fingertips, and continuous auditory hallucinations of the rhythm of the spinning wheel). “Yan’an Nursery” is not like simply watching a play, but more like being dragged into the historical scene - The hot wind blowing on your face on the stage is like a real war, and goosebumps appear instantly when the cold mist is sprayed; When the actor flies overhead holding a “child,” you can’t help but reach out to grab it; After the show, your ears are buzzing with the sound of the spinning wheel, and your hands are still rubbing the real coarse cloth on the seat. It’s not just watching a story, but “eating” a bowl of red rice with the smell of gunpowder with your eyes, ears, and skin, and tears come down as you chew.