World Ancient Civilizations Immersive Experience Exhibition

Step into the Origin of Civilization, the Immersive Experience Exhibition of the Four Great Ancient Civilizations Officially Opens

The "World Ancient Civilization Exhibition" takes the four major civilizations as its axis, leading the audience through time and into the earliest human cultural imagination and order construction.

The exhibition uses immersive technology to connect the core spirit of the four major civilizations, allowing the audience to cross regions and eras in the interweaving of light and shadow, sound, and large-scale landscapes, and re-feel the origin and imagination of human civilization; history is no longer a static display, but a civilizational journey that the body can feel.

The exhibition starts from Assyria, where hunting reliefs are enlarged in light and shadow, the human-headed winged bull emerges from the darkness, and cuneiform characters light up one by one in the space, outlining an imperial logic based on power and writing. Turning to Egyptian civilization, the geometry of the pyramids, the gaze of the gods, and hieroglyphs slowly emerge, and the projections of mummy rituals and underworld journeys reveal the core of ancient Egypt's belief in "eternity."

The Mediterranean exhibition area presents the intersection of Greek mythology and Roman rationality: the postures of the gods are reconstructed with light sculptures, while arches, columns, and architectural vocabulary show how Rome constructed the world with engineering and law. Finally, arriving at Indian civilization, the Great Bath, urban planning, and undeciphered animal seals unfold layer by layer in soft light, and the projections of mandalas and reincarnation lead the audience into the philosophical thinking of the cycle of life.

🐾 Assyrian Civilization

The Roar of Power and Order

The Assyrian civilization takes kingship and conquest as its main axis, and its exhibition area is constructed as an immersive space based on the concept of ancient palaces.

Light and shadow reconfigure hunting reliefs on the facade—the texture of the lion, the galloping posture, and the moment when the king draws his bow are magnified, symbolizing the cultural spirit of Assyria's worship of power.

The surrounding cuneiform characters are like historical marks emerging from clay tablets, lighting up one by one in the dark space, showing Assyria's logic of governing the country through records, formulating codes, and preserving war achievements. Writing is regarded here as an important cornerstone for laying the foundation of civilization's structure.

The human-headed winged bull created by immersive projection becomes the visual focus; the huge mythical beast emerges from the shadows, its wings spread between the beams of light, accompanied by the echoing of lion roar sound effects in the space, presenting the unique majesty and divinity of the Assyrian palace.

The interweaving of light, shadow, sound, and giant landscapes constitutes the symbolic system of Assyrian civilization, embodying how it shapes order with power and maintains the existence of the empire with order.

🐾 Egyptian Civilization

The Gaze of Eternal Light

Egyptian civilization takes “eternity” as its core concept, constructing a ritual space between life and death. The geometric outline of the pyramids, the gaze of the gods, and the rhythm of hieroglyphs emerge layer by layer in the dim light, and the cosmology formed by the concept of rebirth is fully presented here. A full-scale replica of the Rosetta Stone shows the hierarchical structure of language, with three types of writing lighting up in sequence under the image, making the process of deciphering ancient Egyptian language concrete. The statue landscape presents the orderly spirit of Egyptian belief with axis and symmetry, and the symbolic connection between pharaohs, gods, and the journey of the soul is also clearer due to the space. Immersive projection reproduces mummy rituals, solar mythology, and underworld journeys, with beams of light flowing along the walls, forming a narrative field that operates according to the logic of the gods, strengthening the Egyptians’ understanding of life, death, and the eternal cycle. This area uses light, shadow, symbols, and replica works to present Egyptian civilization once again before our eyes with its unique architecture, writing, and belief logic.

🐾 Mediterranean Civilization

The Meeting Place of Mythology and Reason

The Mediterranean civilization takes the cultural transition from "mythology to rationality" as its theme. The exhibition area presents the intellectual landscape shaped by Greece and Rome with light and shadow, architectural vocabulary, and dynamic symbols.

Colonnades, arches, and statue contours emerge in sequence in the space, forming a visual rhythm with both brightness and layering, symbolizing the interweaving and evolution between civilizations.

Greek mythological imagery is interpreted in the form of light sculpture—Zeus' posture, thunder symbols, and the symbolic actions of the gods are reorganized in the projection, reinterpreting the narrative possibilities of classical statues.

Corresponding to mythology is the way Rome shaped the world with engineering, law, and architecture. Architectural fragments, columns, and arch replicas present a systematic way of thinking in precise proportions, and light slides between its structures, allowing the power of reason to be visualized.

Multiple images are juxtaposed to show how Mediterranean civilization achieved a balance between imagination and thought, symbolizing the cultural transformation of mankind from mythological narrative to the rational world.

🐾 Indian Civilization

The Wheel of Life in Light and Shadow

The Indian Civilization Exhibition Area takes the "cycle of life" as its main axis, constructing a space that combines urban rationality and mysterious philosophy through light and shadow, water wave patterns, and symbolic imagery.

The Great Bath of Mohenjo-daro, stepped buildings, and fragments of urban planning are presented in soft light, showing the highly ordered urban structure that ancient India had formed by the third millennium BC. Overhead light and shadow reproduce the boundaries and levels of the Great Bath, making the ancient city's lifestyle centered on public space intuitively presented.

The undeciphered "animal seals" are the visual focus of this area. Symbols such as buffaloes, lions, and rhinoceroses are enlarged and reorganized through projection, and the lines, postures, and composition rhythms are re-read in light and shadow, symbolizing the not-yet-completely deciphered language system and cultural symbolism of ancient India.

The light and shadow in the latter part of the exhibition area turn to cosmology and religious philosophy. Mandalas, reincarnation, and fire sacrifice imagery are displayed in dynamic projections to show the ideological context of the cycle of life, outlining the cultural aspect of Indian civilization that is not only urbanly rational but also deeply spiritual.

This exhibition area presents the unique characteristics of ancient Indian civilization interwoven between urban planning, language symbols, and life philosophy: a civilization that constructs the world with order and understands life with cycles.